A funny story about a schoolgirl Nastya who doesn't like anything boring and always looks for adventures.

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A young Russian store clerk has a drab existence in times of shortages and is berated by her ailing mother for not seeing men. So she brings home an unknown young man who she met on the tram. She dreams many things but pines for this man.

Nastya Sablina is turning sixteen, and, filled with emotion, she begins to reflect on "the most important day of her life."

Nastya, a young woman, at three different ages: 20, 24, and a more mature 28.

Through the intimate stories of seven young directors, October is the generational attitude towards Serbia today, shown in different perspectives and through different genres - from black comedy to melodrama, poetic portrait to the socially engaged horror. Motif that binds all of the stories together is the tenth anniversary of the democratic revolution. Each film is taking place on that day, 5th of October in 2010, and each film is differently related to the anniversary and what that event means 10 years after. The film brings fresh visions of the seven young directors who were teenagers at the time of the overthrow of president Milosevic and his regime. On a personal and emotional way they show a complex picture of modern Serbia.

A mad scientist creates a time travel pill, which two goofballs volunteer to test, transporting them to ancient Egypt as Marc Antony and Julius Caesar vying for the beautiful Cleopatra's love in a chariot race.

Jacques Rozier followed Bernard Ménez's tour in 1984 after the surprise success of his song "Jolie poupée". From a timecoded video in the possession of Jacques Rozier, post-production work was carried out in 2001 under the supervision of the director for his retrospective at the Center Pompidou. The element resulting from this work was digitized by the Cinémathèque française at the Hiventy laboratory in 2021.

Maki, an office worker at a small local company, has just divorced because her husband cheated her. She has no desire to embark on a new love affair, and the flush of her womanhood is now a dying flame.

Several filmmakers discuss the introduction of Western modes of communication, especially film, to native cultures. While these tools can help a native people to document their own culture, it can also "swallow" their culture, encroaching upon and irreversibly altering it. The film takes its title from a book written by filmmaker Edmund Carpenter in 1972 about his engagement with media in Papua New Guinea.